3 Things Artists want Pastors to Know

brownmandmsI recently returned from a few days of retreat with some fellow artists who are ministry minded. Many, myself included, make their living serving in churches where they perform almost every weekend.  With a gathering like this, you are almost guaranteed to hear a statement resembling this:

You are not gonna believe this one church I performed at….”

If you are a pastor or church leader, you most likely will not want to be the leader of the “church” the artist is about to reveal. Oh sure, it might be a wonderful testimony about God’s grace and power, but more likely it will be a horror story about how the artist was treated by said church. We all have our stories, both good and bad. We have our stories about wonderful life-changing events where things went perfectly, and we have our stories about being bumped off, turned off, and ripped off at our performances. (And to be fair, I’m sure a gathering of church leaders could offer some equally amazing stories about artists that you have invited to your church—I have heard a few myself…oh my!)

As I reflected on the stories that were shared, I thought it might be good to come up with a list of a few things artists would like churches to consider in order to make a great event.

  • Be Prepared. Yes, the Boy Scouts’ Motto is good for all of life. I’m not talking about a greenroom and a candy dish with all the brown M&Ms removed (Just Goggle the most ridiculous artist riders). But if the artist has provided a list of “needs” for their time with you, take the time to go over the list and do what you can to accomodate. Sound needs, props and rehearsal time all need to be considered. I actually covered a lot on this topic in a previous blog here: A Stage That Is Hard to Fathom. The artist is a guest and needs to be hosted. By this, I mean there needs to be someone to greet and orient the artist to the appropriate people/places for set up, rehearsal, etc. If not the pastor, then another person to act as sort of a personal assistant. This person can also be a great help at the end of the event. The artist needs to be free to interact with people after the event. They will often have a resource table to staff in addition to visiting with the people that want some of their time afterwards. There is often that person who monopolizes the artist’s time with their own stories, and making it impossible for the artist to greet and speak to other people. This is where an assistant from the church can be a huge service, serving to rescue the artist from the monopolizing fan.
  • Honor the Agreement. It’s no surprise to me that many of the stories artists talk about fall under the catagory of the church not doing what was agreed upon. Most of the time we are talking about things that were agreed to in a written and signed document. At the top of the list is not honoring the financial arrangement and not giving the artist the time alotted. I had one pastor want to change the agreement moments before I took the stage and when I tried to challenge this he accusingly said, “I brought you here to serve!” — implying that satisfying our agreement meant I was not serving.  Another church had agreed to a freewill offering for my ministry and informed me they were just going to give me a gift; “but don’t worry it will be generous” (it was far less than what I have received in offerings from churches half their size). The offering, for many of us is our livelihood. A single worship service on a weekend will often translate into a week’s wages. With that in mind, please be careful how you explain the offering to your congregation. To say simply “defray the cost of having an artist come” is not accurate or fair. The audience will be thinking they are covering a tank of gas and a pizza rather than providing for the actual livelihood of the artist.
  • Trust the Art. If there is one thing that makes an artist bristle, it’s for someone to get up and try to tell the audience what the artist just said throught their art, be it music, acting, dance, painting, or spoken word. I understand that this can be a tough one for a pastor who is concerned, and rightly so, that the message be recieved. The artist’s gift is to communicate the message differently. If they are good at what they do, let the audience be free to absorb and receive the art…even though they may not all get the same message. It’s okay to add a few words of commentary and/or personal impact about the art. We just want you to resist the urge to preach a sermon on what they have just seen and heard.

I’m sure there are other things artists would like the church to know, and perhaps some of them will chime in through the comments. And we who are artists are not without sin. There are examples of us not being prepared, not honoring the agreement and not trusting the church as well! I am also certain a posting from the pastor’s perspective might be in order. Perhaps one of you would like to submit a guest blog to me on “3 Things a Pastor wants Artists to Know!”  Any takers?

UPDATE:

We have a response! Check out the next blog: What a Pastor would Like Artists to Know

A Trustworthy Tricky Travel Tip

Beating the System on a Rental Car

 

Since I travel a bit more than the average person, I am often asked for my advice or secrets when it comes to booking travel. I have posted a few other blogs on this topic here and here. So here is another trustworthy tricky travel tip.

One area that is a bit hit-and-miss is booking rental cars at airports. Taxes and fees at airport locations can be significantly higher than at other locations near an airport. I have often scored what I thought was a great deal on a car for $9 a day on Priceline or Hotwire, only to discover that taxes and fees more than doubled or even exceeded the rental rates.

I encountered this recently on a trip I booked to Tampa, Florida. Normally I am able to book decent rates on this itinerary but this time I found I was traveling during the peak “Spring Break” season. Rates were much higher than I was used to. Where I am normally able to book a car for about $50-$75 for a weekend, I was now looking at $150-$200 for a compact car. I checked nearby locations with Enterprise and found that, just a couple miles from the airport, I could score a rental for $75. And Enterprise boasts, “we will pick you up.” So I booked a hotel near the airport with shuttle service. I’d have the hotel shuttle provide transportation from the airport to the hotel, and then have Enterprise pick me up and take me to get the car. On the return I would drop off the car and have them return me to the hotel and then use the hotel shuttle back to the airport. I just saved $100.

Only one snag in my plan: my flight home was an early one. The Enterprise location was not open early enough to get me back to the hotel in time to catch my flight. I would need to go directly from the Enterprise location to the airport. Enterprise wouldn’t likely give me that ride because of policies with their on-airport location (which would cost a lot more to use).  Enter Uber! I would have Uber provide the ride from the Enterprise location to the airport for around $10. Problem solved.

This is not the first time I have used this trick. You just have to make sure your travel plans allow for business hours at the off-airport locations—as they are not open 24 hours a day. (Some off-airport locations will allow you drop off the vehicle after hours and settle up your bill via email.)

So there you have it—my trustworthy tricky travel tip!

If you have a tricky travel tip, I’d love to hear it in the comments below!

Don’t Drop, Fly, or Burn Jesus!

Jesus_FlamesChurch drama.

Sometimes even I have to cringe when I talk about what I do for a living.  I try to find different words to use. “I am a professional actor/storyteller in ministry” has a bit more credibility and helps to distance the gap from saying something like “I do skits in church.”  Let’s face it, church drama has suffered a (often a well deserved) bad reputation. I understand when people roll their eyes when the topic of church drama comes up. It’s no wonder that in many churches it is relegated to the children’s department and gets no respect when adults engage in this craft.

And yet, it can be done well, and is by many—both professionals and amateurs. It was seeing it done well that inspired me to pursue acting as a career. I can’t begin to tell you how many people credit a church production as being the thing that drew them to  church and, for many to faith as well.  If you read the bio’s of famous performers you would be amazed at how many credit the church with giving them their start. (Although considering the paths some of them have taken, that may not be a compliment!)

We have just finished Christmas, a time when many churches engage in this creative endeavor, and we are quickly approaching the Easter season, the other time of the year when even churches who don’t allow “church drama” will often make an exception and give that much maligned group of artists in the church a chance to ply their craft.

The Easter Pageant Season is upon us.

As a warning…maybe some things are better left to our imagination. A sensitive scene gone wrong will only inflict more damage on our reputation. It might be better to leave some special effects to Hollywood. I offer these examples of what not to do:

Don’t “drop” Jesus.

Don’t “fly” Jesus.

Don’t “burn” Jesus.


Our message matters! Make a memorable show, but to quote an old TV show “be careful out there!”

If you want some good quality drama, consider inviting me or one of our artists to your church. We promise not to drop, fly or burn Jesus!

10 Random Observations about the Church

A row of Church pewsI travel and perform/speak in a different church almost every weekend and have for the past 40 years—that’s a lot of churches. You do the math. And these are churches of all denominations and sizes and colors. Lunch with the pastor after a morning service is typical. I can almost always count on being asked a question like this:  “Chuck, you are in a lot of churches… what are some observations you’ve made about the church today?”

I know they want an answer with some profundity, but I don’t know if my answers will satisfy. So here are 10 random observations about the church, for what they are worth, and in no specific order.  This is not a scientifically researched treatise… just my observations.

1) The medium-size church is disappearing. I am often in church buildings designed to hold 500-1000 people with less than 100 in the worship service. There seem to be churches of under 100, and the mega church with thousands of people, but not much in between—churches of 200-500 are few. Pastors routinely over-estimate their attendance. They will tell me they have 150 people in worship but when I arrive there are less than 100… this happens a lot!

2) Based on my experience it would seem that the average age in most churches today is over 50. There is plenty of gray hair and there are not very many millennials in the pews.

3) The “Meet and Greet” moment in the worship service needs go. Most churches do it and in most churches it feels forced and awkward. I see plenty of meeting and greeting before the service that seems genuine. If your main goal is to make a visitor feel welcome, I think there is a better way to do it.

4) I have rarely visited a church that matches the negative stereotype portrayed in the media or by Hollywood. (That being the extremes of super fanatical or super boring). I’m not saying they don’t exist… but they are certainly not what I have found under the majority of steeples in the country.

5) People really do “play hooky” from church when the pastor is gone. I often fill in for a pastor who is away at a conference or on vacation. I almost always hear the head deacon say, “I don’t know where everybody is today.”

6) Contrary to what the media would have you believe, the church is filled with people who care about the poor and are involved in ministries that are truly striving to make a difference.

7) At the risk of sounding like my parents… your music is too loud!

8) People still sit in the back (maybe because the music is too loud) or are very spread out in the sanctuary, making those 100 people in a space that hold 500 feel even more empty.

9) There is not much being done to encourage and elevate the arts in most churches. Other than the worship team/band, the opportunities for an artist to be involved in the life of the church are very limited. (I’ve blogged about this one before, but I have to throw it in here.)

10) It can be a challenge today to figure out a church’s denominational affiliation. Oh it still exists, but you won’t find it on church signs and in printed material like you used to. This can be good thing. It can also be embarrassing if, say, you are charismatic and think you are in a Pentecostal church, only to find yourself being stared down after raising your arms and shouting hallelujah in a Baptist church.

Like I said, no science here… just some observations from that “Christian Actor Guy!”

Rooting for the Bad Guy

Okay, I’ll admit it…I love to play the bad guy. Being the villain on stage is so much more fun than being the hero.

My first big lead in a play was in my high school production of Dracula, and to be honest, it was great fun… plus I got to kiss a girl on stage (that was fun too… but awkward).

Back then I didn’t know much about acting, but some things that were true then still hold today. Acting gave me the opportunity to pretend to be somebody else and I loved pretending to be a different person. The pretending I did at home, acting out scenes from movies, was my playground and became the foundation of what would become my career.

In my childhood the bad guys were just that… BAD. I would play the part thinking I was a bad guy and thus it was acceptable that the bad guy did bad things, but would ultimately die at the hands of the hero. But that was okay, because it was fun to act out death scenes too.

As I learned more about acting I began to understand that a bad guy… a real bad guy… doesn’t usually think of themselves as bad. To play a real bad guy I needed to understand why they did the bad things they did. It is then that you begin to see them as real people, not necessarily bad people. Often they’re just people who make a wrong choice or even do a bad thing for what might be considered a very good reason. They kill for revenge, they steal to feed their family, they cheat on their spouse because they feel a need for more excitement in their life. It’s called justification and if we are honest, we all do it. It is the knee-jerk reaction we all default to when we do a bad thing.

I play the Bible character Judas in a scene from my one-man show Encounters (see video at the bottom of this post). The scene is in the moments before he takes his own life after betraying Jesus. In writing and playing this scene, I wanted to show what might have been going on in this man’s mind—what motivated him to do the bad thing. If I do it correctly you—the audience—come away with a more sympathetic view of a person that many simply write off as a “bad guy.” And while in the biblical story he is a villain, I like to think that he wasn’t all bad. He was misguided, he did a bad thing for what he thought was a good reason.

Hollywood has done much to change the image of the bad guy in recent years. In the movies of my childhood you were not really given the option to root for the bad guy. They were bad—they will lose or die—John Wayne or Gary Cooper would see to that! End of story. Today we are given the choice and even encouraged to root for the bad guy. Hollywood has given us the anti-hero in characters like Walter White (Breaking Bad) and Dexter Morgan (Dexter) and a whole host of others. In these shows we see life from the bad guy’s point of view. It is expected we will root for the bad guy.

In some ways this has merit. It is good to see people—all people—as real people. It is easy to put ourselves in their shoes and to see how, given the right set of circumstances, we might make the same bad choices. I think it is helpful to empathize with people who do bad things.

But there is another outcome from looking at things from this perspective. Over time we can begin to no longer see things as bad. We numb ourselves to the degree that we even forget that what they are doing is bad. We can see this trend in real life. When there is a shooting, a terrorist attack, a rape, an affair, riot or a robbery—the media often takes the angle of exploring the motivation and looks for some justification for the crime.

While it is helpful to know the motivation for the crime, let’s not forget that a bad thing is still a bad thing.

It’s called sin… and we are all guilty.

And as for justification… there is only one sure path to that.

“That we may be justified by faith…”


Deceived from Encounters by Chuck Neighbors

What Do You Want?

What do you want?The actor I was directing was just saying his lines. There was no feeling, no thought, no sense of character. The only thing I could get out of his performance was the sense that he was afraid he would not remember his lines. He spoke too quickly, his sentences ran together without pause. I knew the feeling… I have been there many times.  He was afraid if he paused he would forget what line came next.

Actors learn that one major key to a good performance is knowing what your character wants–its motivation. If you don’t know your lines, you can’t play the scene with the true intent of the text. Instead of wanting to achieve the objective of the character, you are completely obsessed with remembering your next line. And anyone watching the play will be able to tell.

If acting were just memorizing lines and being able to repeat them, it wouldn’t take much talent or skill to be accomplished. But acting is so much more than that. In training actors we emphasis the importance of owning your lines–knowing them so well you don’t have to think about what comes next. I tell actors you can’t act until you know your lines.

In an earlier blog I talked about the importance of knowing “who you are,” a key question for any actor playing a role. But equally important as knowing who you are, you need to be able to answer the question: What do you want? This is true for the play in general but also for every moment the actor is on stage. The big picture may be to defeat the villain or to win the affection of the princess, but it also applies to every little moment on stage. If you need to move from one side of the stage to the other, you need to move motivated by a reason that the character understands.  When the actor speaks, he needs to understand why he is saying what he is saying. He needs to know what he wants.

Acting–good acting–is a reflection of real life. I sometimes wonder what my life would look like if I took the time to actually stop and think about “what I want” as I go through each day. I think most of us may have it figured out on the big scale. We want to be happy, to make a decent living, have a good marriage and loving family. Some aspire to fame, fortune or adventure. Some to make the world a better place and work on the cutting edge with a sense of calling in faith and service. We may know what we want in a big picture sort of way. Some of us are moving forward and achieving our objectives.

But sometimes I think I may be living my life a bit like that actor I was working with. Struggling to remember my lines. So obsessed with just getting through the day that I may have lost sight of the big picture. I need to be reminded of “what I want” and move forward with the proper motivation to achieve my objective.

What about you? What do you want?

Who Are You?

Who Are You?For a number of years I toured with a professional theater ministry. One popular sketch we performed was called “Who Are You?” A man on the street would be repeatedly asked that question. First responses were followed with obvious answers like the man’s name but the questioner persisted with the simple question causing the victim to struggle for a better answer. He would give labels: father, son, husband. Then he would struggle for more answers: his job, his race, his religion, his citizenship, his political party.  Still not satisfied the questioner repeated, “Who are you?” Finally the man answers in frustration; “I don’t know who I am.” The questioner then says: “Now we can begin!”

As an actor, discovering “who you are” is also where you begin and is a big part of the job. The script may give you a brief description, but usually not enough information to really create a character. “A successful salesman” might be all the script tells you, but as you work through the script you may discover a salesman who is struggling to keep pace with a new, younger generation of employees, a man whose marriage is failing and who spends a hour at a local bar before returning home from work. Now we are beginning to get a glimpse of this guy, but really just a tiny glimpse. There is more to the guy than those tidbits and the actor’s job is to flesh it out… to make it real, to get inside the guy’s head and figure out why he is threatened by the new employees, what is wrong with his marriage, what his favorite drink is at the bar and how many of those he has before going home. Sometimes as an actor, you may feel you know more about a character you are playing than you do about yourself. It can be safer to ask those really tough questions about a fictional character than to answer those same questions about yourself.

I have been contemplating my own life lately and asking that “who are you?” question again. Life changes tend to do that to you. Sometimes I coast on those surface labels: husband, father, Christian, actor… those tell you a little about me but it doesn’t tell you everything. And some of those labels are evolving. New labels, like empty-nester, soon to be grandfather, guy who gets the senior citizens coffee at McDonalds, are becoming more prominent.

There is a famous adage that has been going around a lot the last few years: “You are who you are when no one is watching.”

That can be a jarring reality, and one that I am not always comfortable with. If I am being totally honest, I don’t always like that guy. Sometimes the “me” that others see is more who I want to be than who I really am. I want to be that guy on my Facebook page where only what I want you to see is posted. The me that I am when no one is watching can be lazy, envious and sometimes thinks thoughts that are too much like the bad guys I play on stage.

Who am I, really?

Truth be told… the truth that I cling to when I have those moments of doubt and confusion about my identity is found in the way that God sees me. Only through the filter of his mercy and grace does my life really make sense at all.

What do you think?

Who are you?

Do Not Avoid Eye Contact!

airliner-cramped-0809I‘m a pretty seasoned traveler, and for domestic airline travel I am a big fan of Southwest Airlines…most of the time. Lately it is pretty rare to get on a SWA flight that does not have every seat booked. And like most airlines, they are moving the rows closer together and making the seats smaller. Air travel is a truly uncomfortable experience. For the uninitiated, SWA does not assign seats so it’s first-come first-served when you get on board. There is no “First Class,” however you can earn or pay your way to “A-List” status which allows you to be among the first 60 on the plane and have first choice of the seats. I am one of the “elite” as I fly enough to have earned A-List status and my preference of an aisle seat is always waiting for me. The exit rows (more leg room) and aisle and window seats go first. The last to board get the dreaded middle seat. You always know that the flight will be a full one long before the plane is full because the flight attendants will begin urging the people to fill the middle seats. One of their favorite lines is “do not avoid eye contact.”

Eye contact! It’s not something most of us consciously think about. The boarding process is a great lesson in non-verbal communication—like putting it under a microscope. We are sitting there looking at our books or hand-held devices, or eating our sandwiches. We are sending out all kinds of non-verbal signals that scream, “do NOT sit in this empty seat next to me!” We sprawl over into the middle seat; place our coats on it to make it look like it is already taken. Put in those earphones so we can’t hear the unavoidable question, “is this seat taken?” A few people (not me, of course) have been known to cough and blow their noses loudly to dissuade others from considering the seat. Then the announcement comes, “do not avoid eye contact.”

That’s the game-changer. Now we know someone WILL be sitting in that middle seat. We might have a bit of power however,  because we just might be able to control WHO will sit in that middle seat and occupy our space for the next 2 hours. The implication is that if we make eye contact, the person contacted will assume we want them to sit beside us!

You begin to scan the bodies in the aisle—you want somebody pleasant to sit next to you. It’s like Goldilocks and the Three Bears. You don’t want someone too big, too loud, or too perfumed. You want somebody “just right!” You scan bodies avoiding the face until you spy just the right size person then you risk a look up to the face and the chance for eye contact. I typically want a female in that center seat, not for any salacious reasons, but simply put, they tend to not hog the armrest like a man does. I make eye contact, if I like what I see I will add a smile and hope for the best. Sometimes it works. But often I get the big guy whose one leg equals the two of mine. What you have to remember is that this game goes both ways, the person in the aisle is looking for just the right people to be wedged between for the next 2 hours. “Oh that guy has skinny legs, I’ll sit there.”

I pleasantly stand to let him in as I cough and blow my nose loudly.  (You did remember that I am an actor right?)

It is an interesting lesson in human nature. Something we actors are supposed to know something about. We observe people as a way to make ourselves more believable on stage. It occurs to me that something similar to “Do not avoid eye contact” should be happening in our churches every week as well. In some churches I see people giving off similar signals to the people in the pews each week. Many of us have our favorite places to sit, favorite people to talk to and routines that are comfortable. We often don’t stop to think that some of the people who are coming to the church are just like the last to board a SWA flight. They are looking for a place to fit in. We don’t usually want to admit it but we are saying all kinds of things to them without saying a word.

We need to come to church, and indeed to life in general, with our eyes wide open!

When Transparency and Authenticity become TMI! –

InvestigatorI Wish You Hadn’t Told Me That!

“I really liked your transparency in the sharing of your story.”

I appreciated the compliment. I had just finished sharing my presentation of “Go Ask Your Mother… A Father’s Story.”  In the presentation I share some of my personal struggles as a father in raising my three boys, as well as some reflections on my own father.

The compliment affirmed my goal and belief that telling honest stories based on real life experience would connect and communicate with my audience. Yes, I had been transparent… up to a point… but I didn’t really tell the whole story. There were parts that I purposely didn’t share. Parts that I held back because I didn’t want the whole truth about me to be revealed. Parts that I felt would have been TMI–too much information!

When sharing about my Dad, I didn’t share the details of the angry thoughts I had when I felt he was being too hard on me.

When sharing about my sons, I didn’t share about the times my temper got the best of me and I said some things I regret and came close to striking them in anger.

There were thoughts and actions in some of those stories that I left out because to reveal them could have caused my audience to turn against me… to not like me. I am all for honesty and transparency until it goes to a place that is too dark and makes me look bad. Especially if the story doesn’t redeem those thoughts and actions.

Is it possible to be too honest? Too transparent? Where does one draw the line?

Have you ever been watching a good movie and then have to turn your head away in disgust because the images on the screen were too disturbing? It’s a good story but why did the have to show that?! Sometimes the details of our stories can have that same effect on our audience.

I remember a sermon where the pastor shared some of his personal story. It was great up until he shared some of his thoughts that went a little too far. As we left the church my wife said “I wish I hadn’t heard that part.” The part he shared was a little too dark and now her feelings about that pastor will be forever changed because he shared too much information. It would have been fine if he had alluded to his dark thoughts, but in sharing them in detail, he crossed a boundary. He created a distraction that caused some in the audience to miss the point of the story.

Who among us hasn’t had those dark thoughts? Who among us hasn’t done things we regret? It’s part of being human. We get angry, we get greedy, we get tempted, we lust, we sin.  When it comes to casting the first stone, I would be one of the first to walk away.

It is good to share some of these stories with others. Some of my favorite stories are stories where the teller reveals their humanity, their weakness, their faults. It is what makes it relatable. I identify and it feels good to know that I am not alone. It helps me to realize that I’m not the only one who struggles, who fails, and who gets back up again after being knocked down.

But sometimes in the public telling we can go too far.

Authenticity is a cherished virtue in our culture today. Look at reality TV, the Internet and social media. We have a constant stream of “reality” hitting us from every angle. Sometimes this can be a good thing. But it can also distract us from the main point. Like watching that gory scene in the movie it’s TMI! Too much information!

Some stories are best served with some details left out. They are better for confessing to a close friend, a doctor… or to God. You don’t want your audience to walk away with things they can’t un-see or un-hear!

Pros and Cons to Working at Home

File this under “the grass is always greener on the other side of the fence.”MessyDesk

Being “your own boss” and working at home does have its perks…and it also has its downside. I have seen the looks of envy from those who think working at home would be the best job in the world and I have seen the knowing looks from those who work at home who would beg to differ…including many of my pastor friends. I started this little list on my Facebook page and was quite surprised at the response:

Pro: Easy commute–you can sleep in longer and work in your pajamas.
Con: There is no Starbucks en-route to the office.

Pro: You can have a messy desk and no one else sees it.
Con: You have a messy desk.

Pro: Clients can meet you in your office at your convenience.
Con: You have a messy desk and work in your pajamas.

Pro: You are in charge…you don’t have to worry about someone else screwing things up.
Con: You are in charge…there is no one to blame when you screw things up.

Pro: No time clock. You can make your own hours, take time off whenever you like.
Con: No time clock. You can make your own hours, and work around the clock forgetting to take time off.

Pro: No more being asked to pick things up at the store on your way home from work.
Con: You have to make a special trip just to pick up something from the store.

Pro: You are your own boss.
Con: Sometimes the boss is a jerk.

So what can you add to the list?

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