The Story Blender

I had the pleasure of being featured on The Story Blender, a podcast hosted by critically acclaimed author, Steven James. Some of his previous guests include international bestselling authors George R.R. Martin (Game of Thrones), Candice Fox, Steve Berry, Meg Gardiner, Sue Grafton, MJ Rose, and Robert Dugoni; comedian Bob Stromberg; Emmy-award winning writer John Tinker; and screenwriter Mark Bomback.

About The Story Blender

We are passionate about well-told, impactful stories. We love to listen to them. Watch them. Create them. So, we decided to talk with premier storytellers from around the country. Hear their stories and get their insights. From novelists to comedians to film makers to artists. Stories are told through a variety of people in a variety of ways. And here they are. The secrets of great storytelling from great storytellers.

 

I share some of my story and talking about some of the things that make live storytelling effective.

Give it a listen on their website at The Story Blender or on these podcast providers: PodBean, Spotify, or iTunes.

The Seven Last Words of the Church

In the 70’s and 80’s I toured with a theater ministry based in Southern California. The director often quipped that the seven last words of the church were, “we never tried it that way before.”

(At the time I thought it was his original thought but have since learned that it is actually the title of a book published in 1973: The Seven Last Words of the Church or “We never tried it that way before” by Ralph Neighbour (no relation) published 1973.)

The director would bring this up when we would lament about churches that were reluctant to schedule us because it was something new, different, or foreign to the way they normally did things. This seemed to be especially true of churches that had a more liturgical format.

A lot has changed in church culture since 1973. For a time it seemed the way to go was to intentionally do things differently. Indeed, if I use the church I attended as a youth as an example, I am sure many of the “saints” would be rolling in their graves at what constitutes a worship service in today’s culture. The changes in dress, music, and a more casual attitude would, I’m sure, rock their world.

Having been in the middle of it, I experienced the gradual embrace of the dramatic arts as a part of worship, as more and more churches tried “new things.” The rise of such churches as Willow Creek spawned a movement of churches from all denominations embracing dramatic arts as an integral part of worship.

And then things changed again. Current trends reject anything that smacks of “performance” and demands that what comes from the platform be “real and authentic” (as if they can’t co-exist it seems). I am hearing again “we never tried it that way before” or a similar phrase which I think means the same thing, “what you do wouldn’t fit in here.”

Once you do something new that works a couple of times it can easily become the tradition. Being a non-traditional church establishes new traditions that can be just as entrenched and inflexible as the old traditions.

This week I heard from a pastor who said “we aren’t scheduling any productions at this time.”

I wanted to explain that it is not a “production” in the sense of sets, lights, and sound. It is simply me telling a story in place of a sermon. But I don’t think he would have listened.

Bottom line for him and so many others, “we never tried it that way before.”

Then the other day we had contact from a young pastor who was thrilled about bringing our ministry to his church. He had never heard of doing drama as a sermon before.

Everything old is new again.

Play it Again, Chuck

Do you have a favorite play, movie, or TV show that you don’t mind watching over and over again? I have a few that fall into that category; not many, but a few.

As a kid, before the VCR, DVR, and Streaming, there would be those movies on TV we would watch again and again. The Ten Commandments at Easter, It’s a Wonderful Life at Christmas, and of course The Wizard of Oz. All of these would air once a year on network TV and it was an event you actually made plans to watch.

Times have changed, and with the overwhelming amount of content generated on TV, we often find ourselves struggling to keep up with the latest episodes of our favorite shows.  Who has time for a rerun?

With this mentality in mind, I am always a bit taken aback when a pastor asks me to perform something that I have already performed at that same church just a few years earlier. I have a handful of churches that I perform for every year and they are often the ones that motivate me to write a new show. I think to myself, “If I don’t come up with something new I won’t be invited back!” (I wonder how many of my pastor friends have that same thought when it comes to writing their sermons?  “Will they remember if I preach that same sermon I preached two Easters ago?”)

My friend, Jon Karn, is a pastor in Southern California. I have followed Jon around from church to church beginning in the Pacific Northwest back in the 1980’s and at several churches he has served in California. Jon has probably seen my adaptation of Charles Sheldon’s In His Steps more than any other pastor. I can say this because not only have I performed In His Steps at every church Jon has served (at least 4 churches), but Jon has requested that I perform it multiple times for at least two of those churches. Jon really likes In His Steps!

I was back at Jon’s church a few weeks ago. I was slated to do one of my newer shows, Truth Be Told…from a Guy Who Makes Stuff Up. A couple of weeks before my scheduled performance, I get a message from Jon: “Chuck, we have decided we want you to do In His Steps again!”

Somehow I was not surprised. I mean it is Jon, and he really likes In His Steps. I asked Jon why he wanted me to do that instead of a piece that he hadn’t seen before. He replied:

“People always need to see what following Jesus looks like. I doubt the congregation will read Sheldon’s classic but they will happily watch the drama. I guess I’d say In His Steps sounds like something I’d preach. Personally, I probably need to see it for my own spiritual health, at least once every year or two.”

If I’m being totally honest, I get a bit tired of the rerun. I mean, I have performed that piece well over 1,000 times since 1984. But I need that reminder that it is not about me – that art can speak to people in powerful ways and a good story bears repeating, which is one reason we call Sheldon’s book a classic.

Anybody up for a rerun? I’m booking dates for 2018!

The Tale of Mr. Music Director


Mr. Music DirectorI could tell something was amiss with Mr. Music Director at this church. He didn’t greet me when I arrived early, unlike other members of his team. He was agitated with the sound issues the church was having. And it was clear that his agenda was the only one that mattered, even though I arrived early to do a sound check and rehearse my tech cues. I soon discovered he was not about to relinquish the stage to me before the service.

He first upstaged one of the team members who was speaking to the congregation by going up to each worship team member, checking their microphone and pointing wildly at the sound booth to confirm that each mic was working properly.

He upstaged again when he moved back to the keyboard and refused to start the next song until he was convinced everyone’s mic was working. The pastor prompted verbally from the front pew, “let’s go.” He then said, “I’m sorry but our music is sensitive and I don’t want to play unless it is right. I’m sure you understand.”

Finally it was time for me to take the platform. Things were going along fine until the final moments of my performance, when Mr. Music Director decided to take the stage while I was still speaking. This is a sensitive moment in my performance and Mr. Music Director was upstaging me by moving onto the platform and flipping switches getting ready for his closing song. I could sense my audience moving their focus from me to Mr. Music Director. I wanted to say something to him; to tell him to please go sit down until I was finished. But to do so would have only caused me to totally lose my audience, and possibly turn them against me. I’m sure if you were to ask him, he would tell you he was being professional and preparing for a smooth transition to the closing.

I wish I could say that this was a rare occurrence, but sadly it is not. I share this story with you not as rant but rather to encourage you to understand one of the basic rules of the stage, and that applies to any situation in front of an audience. What Mr. Music Director was doing is called “upstaging.” In theatrical terms it means to draw attention away from where it is supposed to be. Upstaging in the theater is when an actor moves upstage of another actor forcing the other actor to turn their back to the audience in order to interact with them. In theater we tend to think of it as intentional bad behavior, but in truth it can be unintentional and often accidental. Or in the case of Mr. Music Director, it can be due to being oblivious to what you are actually doing.

(I have written about this topic as it relates to church before here: Baby Talk. If you check it out also read the comments that follow—some interesting stuff.)

Here are some examples of upstaging that I observe in churches almost every weekend.

• late arrivals
• people who get up and leave in the middle of the service
• people who return to the service after leaving in the middle of the service
• babies crying or cooing
• cellphones ringing
• texting or using a mobile device during the service—yes other people notice.
• tech issues with microphones not working properly
• team members on the platform who are talking to each other, or moving things around while someone is speaking
• outside interruptions, a clap of thunder or police sirens.

As you can see, some of these things we can’t control but some can be controlled with proper instruction and planning.

So take this challenge. Next time you are in church, make a mental note of anything that causes you to take your focus away from the person you should be giving your attention to. And at all costs, don’t be the one doing the upstaging.

Don’t Drop, Fly, or Burn Jesus!

Jesus_FlamesChurch drama.

Sometimes even I have to cringe when I talk about what I do for a living.  I try to find different words to use. “I am a professional actor/storyteller in ministry” has a bit more credibility and helps to distance the gap from saying something like “I do skits in church.”  Let’s face it, church drama has suffered a (often a well deserved) bad reputation. I understand when people roll their eyes when the topic of church drama comes up. It’s no wonder that in many churches it is relegated to the children’s department and gets no respect when adults engage in this craft.

And yet, it can be done well, and is by many—both professionals and amateurs. It was seeing it done well that inspired me to pursue acting as a career. I can’t begin to tell you how many people credit a church production as being the thing that drew them to  church and, for many to faith as well.  If you read the bio’s of famous performers you would be amazed at how many credit the church with giving them their start. (Although considering the paths some of them have taken, that may not be a compliment!)

We have just finished Christmas, a time when many churches engage in this creative endeavor, and we are quickly approaching the Easter season, the other time of the year when even churches who don’t allow “church drama” will often make an exception and give that much maligned group of artists in the church a chance to ply their craft.

The Easter Pageant Season is upon us.

As a warning…maybe some things are better left to our imagination. A sensitive scene gone wrong will only inflict more damage on our reputation. It might be better to leave some special effects to Hollywood. I offer these examples of what not to do:

Don’t “drop” Jesus.

Don’t “fly” Jesus.

Don’t “burn” Jesus.


Our message matters! Make a memorable show, but to quote an old TV show “be careful out there!”

If you want some good quality drama, consider inviting me or one of our artists to your church. We promise not to drop, fly or burn Jesus!

Worth a Thousand Words?

A photographer  friend of mine, Mike Mallorie, recently attended one of my performances of Truth Be Told…From a Guy Who Makes Stuff Up. He put together this little photo-montage of my face during the performance.  I know that I have a “mobile face” but I have to admit I was a bit surprised at all the expressions he captured with his camera.  And it is also interesting to note that this performance is actually one where I am not “acting” in the traditional sense, but rather telling stories. I hope it can help you to realize just how much of our communication is more than mere words.  A picture IS worth a thousand words…or at least a couple of dozen!

(Check out Mike’s website for some great coffee products at www.baldmancoffee.com.)

3 Reasons You Should Invite Artists to your Church

Many of you think of me as that “Christian Actor Guy” who goes around the country performing in churches, and while that is true, as with any job there is more to my work than meets the public eye. The traveling is mostly done on weekends. My “day job” is not all that glamorous. I sit at my desk and spend many hours each week doing the “business” of an arts ministry: paying bills, answering correspondence, and trying to convince pastors to invite me to their church!

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“A Device to Root Out Evil” – Dennis Oppenheim

I have a long list of the “reasons” why I am not invited (and maybe I will delve into those in another blog) but I think it is important to consider why you should invite artists to your church–and I am talking big picture here, not just me but artists in general–be they musicians, painters, dancers, poets, storytellers, comedians, or yes, even actors. Actually, the reasons are many, but I will focus here on my top 3 reasons you should be inviting artists to your church.

The Artist as a Prophet – Artists are people who see things differently. Often on the outside of a group or community, they can bring new perspectives to old things and sometimes make old things new again. Sometimes they can be disruptive, but that may be good, as things need disrupting in order for change to happen. Historically artists have played a major role in shaping culture, inspiring change, and speaking to the heart. If you need convincing, just Google “the artist as prophet” and you will get several examples. When that artist is a Christ follower, their art can speak volumes to your congregation and touch hearts and minds in a way that nothing else can.

Inspire and Affirm Other Artists – The church needs artists. In my earlier blogs I have addressed the fact that fewer and fewer churches are offering an outlet for artists to be a vital part of congregational life. In many churches, choirs are gone and musicians are few, drama is gone or replaced by a video screen, and the sanctuary, once a place of beauty, is replaced by a multi-purpose room indistinguishable from any other meeting place in town. Art in churches and schools is given a low priority yet is highly esteemed in the culture at large. I believe the church should be a birthing place for the arts. One of the most fulfilling things about my work is hearing other artists express their gratitude after seeing my art presented in their church. It gives them hope for their own artistic expression. The church needs to be affirming that! In our current culture it may well be the artists, more than the preachers, who can effectively call people to examine their lives and relationship to God.

Saying Things Differently – Let’s be honest, we can get numb in the pew. We get into a routine of hearing and seeing things the same way, week after week, and after awhile, we stop listening. Bring in an artist and suddenly we rediscover our eyes and our ears. The artist may not even be saying anything that the pastor hasn’t already said 100 times… but saying if differently can cause people to hear it, sometimes for the first time! The language of our culture, like it or not, is the language of entertainment. That’s one language artists know well. Allowing them to be heard can be transformational to both individuals and the body as a whole.

Like I said, there are many reasons you can give for not bringing an artist to your church–and many of them might be legitimate (lack of funds, scheduling conflicts, etc.). But I encourage you to seek out opportunities and encourage artists, both within and outside your church, to have a place in the life of your congregation.

What other reasons can you give for including artists in the life of your church?

“What Happened to Drama in Churches?”

If you follow this blog, you know I have commented in several of the postings about the decline of drama ministry in the church.  Willow Creek Community Church was the model that everyone followed and now apparently they too have abandoned drama. Here is a a great commentary on this from one of Willow Creek’s own, Sharon Sherbondy.  Please read.. and I would love to hear your thoughts!

What Happened to Drama In Churches?

 

A Stage That is Hard to Fathom!

In a recent conversation with a pastor about performing at his church, he was concerned about having too small a stage for the presentation. If you were staging a Broadway show, that would be a legitimate concern… but for a one-man show…. not so much. Especially a one-man show that was designed as a touring performance TO churches.

 

My acting career is full of performances in spaces that are less than ideal.  While I do occasionally get to perform on a real stage in a real theater with real theater lights, etc….that is the exception not the rule.  In addition to church sanctuaries of all shapes and sizes, I have performed in gymnasiums, college lunch rooms, street corners, a baseball field, airplane hangars, and even on board a submarine.

You learn that theater can happen anywhere there is an audience, and a little imagination can go a long way. On one tour sponsored by the military we would go wherever the soldiers were in their everyday routines taking the show to them, sometimes doing up to 16 mini-shows a day.  Imagine performing in a field with with 50 soldiers in full camouflage and rifles in their laps with a Jeep as your “backstage.”  I did that! (Something about performing before a gun-toting audience makes you want to do a really good job!)

Often the leadership at a church will want to know what can be done to make the platform ready for my performances.  Usually this is asked with a hopeful tone of “please don’t make us move too much stuff.”  While I am very flexible and accommodating to any and every situation, here are some things to consider to make for a better experience on a church stage, for any guest, be it a speaker, musician, or even an actor!

  • Look at your stage as if it were a piece of art–a painting perhaps. Anything that would take away from presenting a pleasing picture to the audience is a candidate for removal.  When I  perform In His Steps, a period piece set in the early 1900s, the set is a pastor’s office.  Having an electronic drum kit in the office detracts from the setting and mood of the piece.
  • While logistics and space may limit what can be moved, consider ways to at least tidy up the space.  Microphone and music stands can be removed. Some portable screens could be used to hide drums, keyboards, etc.
  • If you have theatrical lighting, consider moving things out of the pool of light so that they are less visible and creating, with light, the space for the performance.
  • Take a moment to consider time and priorities for the service.  If your guest is going to be on the platform for 45 minutes and your musicians for only 10 minutes, consider “downsizing” the music for that service. Go acoustic with fewer musicians, so that less is required on the platform, making it an easier, cleaner transition to the “main thing” of the service.
  • Also under priorities, give ample pre-service time and attention to the guest’s stage, sound, and lighting needs.  I typically arrive at a church an hour before a service to set up and do tech rehearsal–for me that is plenty of time.  However, no one has told the worship team this and they expect to use the stage for their warm-up and rehearsal at the exact same time.  They often eat up so much of the pre-service time for their 10 minutes on stage and leave me feeling rushed and unprepared for my 45 minute presentation.
  • Assign a person to the guest to see to all their needs. Have them assist in set up, packing and unpacking, making sure there is good communication amongst the personnel of the service (tech, musicians, pastor, etc). Provide bottled water and a private room or space for the guest to prepare and pray before the service… it’s the little things that can mean so much.

I am sure there are other things I could add to the list. But I do know attention to these details does make a difference to both guest and audience and will create a better experience for all… whether on a real stage or in a submarine!

Do you have any tips for churches to consider when hosting a guest speaker/artist?

What unique and memorable performance venues have you experienced?

Drama Ministry—The Basic Training

A blog is probably not the best place to try to teach acting skills.  You can’t teach someone to sing by reading a book nor can you teach acting by simply telling them the basics.  Both have to be learned through experience, by “doing” rather than merely reading and studying about them.  However you can come to some understanding of some of the basics that need to be considered.  Here is an overview of the basics to be considered for those who want to develop drama ministry in the church

What Does it Take to Make it Work?

Here is a chance at the outset to help people identify some of the things that are going to be required to have a successful drama ministry. The goal is to help people realize that good drama ministries don’t just happen. They take work, planning, and discipline.  Consider:

  • People – you need actors, director and support people.
  • Material (scripts) – are you going to write your own or purchase?
  • Rehearsal space – ideally you need to have not only rehearsal space but an opportunity to rehearse on the actually stage before the performance.
  • Leadership/Director- drama doesn’t work well in committee. You need a director!
  • Commitment – it takes time to do drama well. . .you need people willing to give that commitment (rule of thumb — one hour of rehearsal for each page of dialog).
  • Costumes, sets, and props – even the simplest of productions will have these needs
  • Technical support – lighting, sound, etc.
  • Good communication between the drama team leader and the pastoral staff.

That last one is huge, especially if your plan is to include drama on a regular basis in your worship services.  And to be honest it is often the downfall of many drama ministries.  Make sure you share a vision with the leadership of the church.

Performance Basics

There are resources out there to help you train and develop your team. I wrote a book based on my drama workshops called Drama Now, which serves as a sort of basic training for drama ministry.

Here are the performance basics you will need to consider:

  • Inhibition.  One of the first obstacles to getting started for beginning actors is fear.  Fear of getting on stage and making a fool out of themselves, fear of blowing their lines, fear of not be accepted by their fellow actors or by the audience.  We need to tackle this fear head on.
  • Body Control.  Acting is a visual medium.  Our bodies are instruments to be used to communicate our message.  Often what we say with our bodies is just as important as the lines we recite.  Actors need to become aware of this and learn to use and train their bodies to say what we want them to say.
  • Body Movement.  Body Control has to do with becoming aware of our body and how it can be used to communicate.  Body Movement has more to do with the rules of the stage (yes, there are rules!).  This is where we will get into the proper way to stand, sit, and walk on stage.
  • Eye Contact/Focus.  Our eyes, while a very small part of our body, are extremely important in the communication process, both in real life and on stage.
  • Voice Projection.  Today almost every actor uses a microphone. While this technology has many benefits, it is still important for actors to know how to project their voices.
  • Diction.  You can have great projection but if we can’t understand you because you have bad diction or you are talking too fast, then we have a problem.
  • Memorization.  An actor’s goal is to know the lines so well that he or she doesn’t have to stop and think, “what comes next?”  The focus should be on character, not lines, when it comes time for performance.
  • Characterization.  The real fun and creative part of being an actor is in creating believable characters on stage.  This is where we get to use our imaginations; where we revert back to what many of us did so well in our childhood—pretend.

There is more, much more to consider, but this is a good overview of what you will need to consider.  There is a sort of mantra that people in the church drama movement have adopted and I think this is a good place to insert it:

“I’d rather see no drama than bad drama.”

To do drama well takes time and dedication.  Is it worth it?  I think so… but if you are going to do it be sure you do it well!

Chuck Neighbors

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