I Really Like Your Whatchamacallit

Silhouette of actors in the spotlight“I really enjoyed your… uh… sho–uh… your… uh”

I’m thinking, “Please don’t say it. Don’t say that other word that starts with an ’s’.”

“I mean, I liked your skit?… is that what you call it?”

Ah, she said it. There it is–the dreaded 4 letter “S” word that is like foul language to us theater types. Yet I understand. I mean, this is church and I think the word “skit” was invented at church youth camp. It is hardly the right word to use for those of us in the world of professional theater, but it’s okay. The church, for the most part, doesn’t quite know what to do with performers the likes of myself.

The next person I encounter struggles for a better whatchamacallit…

“That was a great… uh perfor… uh… presentation.  Is that what you call it?”

Ah, yes! “Presentation” that’s the safe word. I don’t like it, but it is better than “skit,” although I think presentation works better in the corporate training world. However, I find that even I use it when describing what I do. “Presentation” is one word that can mean many different things; it’s generic. A sermon, a concert, a testimony, a drama… all can fall under the banner of “presentation” and be suitable to use in the context of a church service.

The truth is, what I have just done is a performance, usually a drama or storytelling. The common descriptor in the culture would be a one-man-show. Ah… but that creates a problem in the world of the church. The church is not the place for “shows.” And for many this is especially true when it comes to the worship service–the place I do most of my performing. The problem is not with what I do. Once experienced, most agree it is totally appropriate for worship. I describe it to many as a “creative sermon.” The problem is what to call it. The church, especially today has placed a premium on authenticity and anything too polished or too professional that feels like a “performance” is suspect.

I get it. It’s sort of a backlash against the idea that worship is just a “show” a–“performance”–and not authentic on the part of those on the platform. But worship is also a place for those with gifts in the arts to use them, and use them effectively. For us it is our offering. 

So I will continue to struggle to find the right word. I’ll grin and bear it when you refer to my performance as a skit.

And then there are the other related issues:

“That was so moving… I wanted to applaud… but I wasn’t sure if it was appropriate!”

And this favorite from a friend:

“That was one of the funniest things I have ever seen. It was all I could do to keep from laughing out loud.”

Performing in the church: a conundrum.

 

Sacred Cymbals

Drums in fireWhen I was a kid I played drums.

Well, actually, a drum would be more accurate.

I signed up for band in school and, much to my parents’ chagrin, chose the drum as my instrument. So I got one of those practice pads—a piece of rubber glued to a piece of wood—and some sticks. It would be a few years before I would get a real drum and then a few more before I would get my first drum set.  I loved my drum. My parents loved my practice pad.

When I was a kid I also went to church…a lot. I was involved in youth group and youth choir, and I was in the church for every service—which back then was a minimum of three times a week—Sunday morning, Sunday evening and Wednesday night prayer meetings.  I loved my church.

Back in the 1960s music in church was pretty traditional: we had a choir, and a piano and organ accompaniment. On very rare occasions a talented adult or student who played a trumpet, clarinet or flute might be invited to play for “special music,” usually during the offering. Oddly, this invitation was never extended to a drummer. (Although I could play bongo drums at a youth retreat to accompany “Kumbaya My Lord.”)

It was stated unapologetically that drums were not a suitable instrument for church music, and certainly not appropriate for the platform. The platform—that was what non-liturgical churches like mine called the chancel area. While not liturgical, the platform was still considered a “sacred space” and the items on the platform had symbolic significance. There was a communion table, which contained the Welch’s grape juice and saltine crackers on Communion Sunday and a large super-sized Bible on the Sundays when communion was not served. There was a pulpit, where the Word of God would be proclaimed each week, and behind the pulpit was a cross on the center wall. Under that cross was the baptismal (for you non-Baptists, that is a large tub filled with water, big enough for two people.)

There were usually no musical instruments on the platform. The piano and organ flanked each side of the platform and in our church were actually on the floor, not the platform.

I’ll never forget the Sunday night that things changed. I was invited to bring my drum and a cymbal and set it up beside the piano and to play, yes play my drum, to one song. Oh, the thrill I felt. I was going to play my drum in church. It was nothing too jazzy and certainly not rock-n-roll. The song was Onward Christian Soldiers and I would tap out a march to match the military cadence of the song. I felt like the little drummer boy in the Christmas carol: pa rum pum pum pum.

My how times have changed…

Today it is rare to go in to a church and not see a drum set. Even in more liturgical churches. The church has changed, music styles have changed and the platform has changed.

Today the drums in many churches are right in the center of the platform. My theater background has taught me that center stage is the strongest area of the stage. Often the most important moments in a play will take place center stage. Yep, right about where that drum set is located. Of all instruments, drums can be the most difficult to move and reset, so it is not surprising that the drums stay put from week to week. Where it used to be a drummer would cart his drums to church, today the church may actually own the drum set…I am pretty sure this would be considered blasphemy in the church of my youth.

Because drums and drummers can be loud, many churches place the drums in a “drummer’s cage” —it consists of clear Plexiglas walls complete with a roof to muffle the sound of the drums. It is a sort of prison cell for drummers. Drummers have heard it all their lives: “you’re too loud!” The phrase “it is meant to be seen and not heard” was invented for drummers. The drummer’s cage now reinforces that.

Thinking back to the symbolism of the traditional items found on the platform, I can’t help but think there may be symbolism for many in putting the drums in a cage. You have the communion table and the sacraments, the Bible, the pulpit, the baptismal and the cross on the wall.

And under the cross is a cage containing a drum set. With so many symbols of the Christian faith on the platform it is time to complete the picture, to add another cymbal symbol and show the consequence of our sin.

A caged man, a man in bondage surrounded by drums…obviously for many this must symbolize hell.

Praise him with the clash of cymbals, praise him with resounding cymbals. Psalm 150: 5

If I speak in the tongues of men or of angels, but do not have love, I am only a resounding gong or a clanging cymbal. 1 Corinthians 13:1

A Lesson from Mr. Bean – Is Your Church Visitor Friendly?

Okay, I admit it, I’m a big fan of Mr. Bean. One of the things that makes comedy work is when the audience identifies with the situation. One of the Mr. Bean episodes that I really identify with is Mr. Bean Goes To Church. Falling asleep, chewing gum, not knowing when to sit or stand… it is all a “been there, done that” moment for me. If you have never seen it, I am posting it here for your enjoyment.

In spite of all the antics that Mr. Bean brings to the scene, notice that for the most part he just wants to fit in. He is trying hard to follow the lead of those around him, working hard to look like he belongs.

In my previous blog I addressed issues related to hospitality that made me want to return to a church.  I want to go a step further–literally–and step inside the sanctuary. I want to talk about those things I have observed in a worship service that can make church visitor friendly. I realize that this is a bit more sensitive—I understand that different traditions approach worship in different ways—but there is still a lot of common ground that can be addressed.

1) Instructions Please! As a visitor I have noticed many churches assume that visitors may know more than they actually do.  It is confusing, as a visitor, when I am seated next to people who know when to stand, kneel, raise their hands, or shout “amen” with no prompting, but I don’t know. Just like Mr. Bean, when a song is being sung and half the congregation stands and the other half stays seated… I find I am trying to figure out what is the correct protocol.  As a seasoned church visitor, I get it… but to others who don’t have the same background I do, it can be confusing.  A visitor wants to fit in and indeed will feel extra nervous when they are uncertain what to do next.   A brief word of instruction from the worship leader can help to put us at ease.

This is especially important when it comes to communion. Am I  invited to participate if I am not a member of your church? Is it passed to me or do I go to the altar? Do I hold the wafer/cracker to partake as a group or do I eat it immediately? Some simple instructions would alleviate the stress.

2) Prayer Monitor! Prayer is important and hearing you mention pray requests and praying for those people in your church that need prayer is a good thing! However, I have been to a few churches where, based on prayer requests, I felt everybody in the congregation was either sick or dying. When the prayers are all bad news and there is nothing mentioned about good news, or something to praise God for, it can be depressing. This is touchy, I know…but you might want to monitor the requests and strike a balance between good news and bad news. Hearing how God is working positively in a situation, will make me want to return. Hearing the hospital roll call… not so much.

3) Money talk! Another touchy one.  And we all hear the criticisms out there that the “church is only interested in my money.”  I know that is not true.  I have seen the offering presented positively as a part of worship.  And then, just like the “bad news prayer requests,” I have heard offering appeals that make me want to run for the door. Fund raisers know that people respond better to good news than bad.  If all I hear regarding money is how far you are behind in your budget and how much we have to raise to repair the roof, I will probably come away with the dreaded impression that you really are only interested in my money. I have always appreciated the churches that tell visitors to let the offering plate pass them by, that this offering is for our “members only”!

There are other things we could explore, but I am not interested in getting into the “worship wars” over music style and debating the pros and cons of expository preaching. I am interested in seeing the church reach people who need to be connected to the body of Christ. Helping visitors feel at ease in the sanctuary is a good first step!

Do you have any tips or advice to help visitors feel more welcome in church?

Churches I’d Visit Again – 5 Things to Make Visitors Feel Welcome!

I spend a lot of time visiting churches. As a touring performer for over 38 years, whose primary audience is made up of church congregations, I would give a rough estimate that I have been in over 3,000 churches during my lifetime. That has to be some kind of record!

nametagOn a recent trip, I was in a church I had performed at 25 years earlier. I have to say I didn’t remember much about the church; it had a different pastor now and no one remembered me. But while I didn’t remember the church, I vividly remembered the pastor. I had stayed in his home and the hospitality I received was what I remembered—it was exceptional.

On that same recent trip I was in another church—first time at this one. As I left the church I recalled thinking, “If I lived here, I might attend this church, and I would certainly visit again.” It wasn’t the sermon (I was speaking), or the music (it was okay but not great). If I had to single out the one thing that made me want to visit again, I would have to say it was the hospitality—it was exceptional.

Hospitality has to rank at the top of the list of things that make me want to attend a church. Here are some specific things I have noticed about those churches:

1) Greeters Who do More Than “Greet” – There is a difference between someone who has the “job of greeter” and someone who truly loves greeting people. These greeters didn’t just shake my hand and give me a bulletin. They asked my name and then–and this is important–used it in a sentence soon after. People love to hear their name spoken. It makes them feel noticed and important. I think there is a difference between having a person at the door to greet people and having the right person at the door to greet people.

2) The People Liked Each Other – As an actor and a church visitor, I learn a lot by watching people. One of the observations I have made about the churches I would visit again is that the people seem to like each other. There was plenty of real conversation, laughter, eye contact, hugging, and listening among those gathering before the service and after. It wasn’t just “church smiles”—it appeared to be genuine. I would want to attend a church where the people liked each other.

3) I Liked the Lobby – There is a difference between a lobby that takes up space between the parking lot and the sanctuary and a lobby that is an inviting gathering place for the congregation before and after the service. And I am not talking about large spaces or big budgets. Just like those make-over TV shows, many churches could do with a lobby make-over. A lot of fellowship and community take place in the church lobby. I was in a very small, rural church recently, and the lobby was tiny but inviting. A few comfortable chairs, warm colors with rugs and art work, and of course coffee service. It was the sort of place where I would love to hang out and visit with a good friend.

4) Restrooms Signs! – Signage matters. I like to be able to find a restroom without having to ask where it is. Some people even find it embarrassing to ask. I don’t want to be bombarded with signs, but a few to help me find the essentials would be appreciated. And while we are on the subject of restrooms—the churches I liked had clean ones with someone to monitor them often (a clogged toilet does not a good impression make). And if you are doing the lobby makeover, consider adding the restroom to the list. I have heard some say they wouldn’t eat in a restaurant that had dirty restrooms. Maybe some people would make the same observation about where they worship.

5) Don’t Make Me Wear a Name Tag – I’m not against name tags, in certain situations, but putting a name tag on a visitor, or making them stand up to be noticed in a worship service can be intimidating. The visitor feels like a target. Any attempts to engage with the visitor after being singled out, runs the risk of feeling disingenuous. Inviting a visitor to pick up an information packet after the service or a “gift” at the information table is fine. But we don’t want to stick out like the proverbial “sore thumb.”

Obviously, hospitality isn’t the only criteria for selecting a church, but it should be a big priority for every church. I have been to many churches with great music and eloquent sermons but left feeling cold. Hospitality makes the difference.

What other things matter to you when visiting a church for the first time?

For a real blast from the past on a related topic, check out Blessed Usherance! This is how-to video we created waaaay back in the early 90’s as a resource for greeters and ushers. Though dated, it still makes some good points and done with a dash of humor! Available in our online store here.

“What Happened to Drama in Churches?”

If you follow this blog, you know I have commented in several of the postings about the decline of drama ministry in the church.  Willow Creek Community Church was the model that everyone followed and now apparently they too have abandoned drama. Here is a a great commentary on this from one of Willow Creek’s own, Sharon Sherbondy.  Please read.. and I would love to hear your thoughts!

What Happened to Drama In Churches?

 

Plant Those Feet!

It was a typical worship service in many ways… typical for an evangelical church in North America, at least. The service started with a three-song set of upbeat contemporary worship choruses.  The worship leader was trying to get the congregation to bring some life to the song she was leading, encouraging them to clap and sway to the music: “As long as the feet don’t move, it’s not dancing!” she quipped.

Sculpture by: Zenos Frudakis “Freedom”

Finally! I now have a definition I can use.  We need to plant those feet.  I had to laugh… but it got me thinking all over again about the “worship wars.” And how we define what is appropriate or inappropriate in worship.  I am not going to even try to answer that question… the dialog, especially on music styles, is long and tired on this topic, and there are no clear winners in the worship wars.

As a dramatist, I have had to fight my own battles—not as fierce or as divisive, perhaps, as those on the music front,—but battles nonetheless.  The other day I received this email from a church leader: “Dramas and plays have their place, but it is our reasoning that we do not allow them in our sanctuary.”

It surprised me to hear it stated so bluntly.  I have been in ministry, as a dramatist, for over 37 years.  I fear if I were not able to share my ministry in a church sanctuary I would have no ministry at all, or at least not the kind of ministry I have today.  Yet I know the sentiment is out there, just not verbalized so readily as this person was willing to state it.

Part of me wanted to engage, to fight back, to defend my art, my craft and especially my calling. I wondered what standard I might apply so that what I did would not be considered “drama” at this church.  If I limit my movement or don’t change my voice for different characters, is it not drama?  If I only quote scripture, is it not drama? I wondered if the pastor was ever accused of “acting” or being theatrical if he told a good story. As one who does this as his life’s work, it was hard not to take it personally.  I could easily have taken offense… and perhaps I did just a bit.

I understand it though, really I do.  This particular church denomination had in its history   taken a stance against the “theater.” At the time they took the stance theater was associated with the worst of the entertainment industry.  “The church should not be a place of entertainment” is the cry. We so easily justify “throwing out the baby with the bathwater” when something goes too far in one direction.  We especially see this in the church with the arts. Music, dance, and drama—all have had seasons of being embraced and then rejected by the church. (For more on this topic see Redeeming Entertainment and The Pendulum Swings-Worship Trends)

It leaves the artist struggling to find a way to share—what many feel called to share—in a way that gives them a voice without being rejected.  We look to find the proper balance.  We want to know were we stand.  It leads to compromise… sometimes that can be a good thing… and yet the artist also has a prophetic voice and compromise can sometimes  render the art impotent. I personally believe that the artist’s voice is especially needed in the church today—needed both inside and outside the sanctuary.

“As long as the feet don’t move, it’s not dancing.” Planting your feet may be the standard… but maybe we really do need to dance!

Have you struggled as an artist to find ways of expressing yourself in the life of your church?  As a church leader how do you determine if a certain artistic expression is appropriate for your church?

Does Anyone Care About Art in the Church—Part 2

Read Part 1

Yes! Some do!

The church has changed.  Anyone who has experienced the cathedrals of Europe, and compared that aesthetic to the average function-over-style of the majority of churches built in this country in the last 50 years, would have to conclude that they don’t build them like they used to!

A couple of weekends ago I walked into a church and I could tell almost instantly that this was a church that cared about art.  It was not a huge church; they averaged about 250 in their worship service. The foyer had a feel that was more like what I have seen in certain museums or fine hotel lobbies.  The furnishings were elegant.  There was art on the walls—meaningful art. One piece especially captivated me.  It was a wood engraving of the hymn “How Great Thou Art” that was engraved to look like a page out of hymnal, with incredible detail.

The platform of the church was tidy, not the usual clutter of mic and music stands I am accustomed to seeing in most churches I frequent. As the worship service started, we were treated to a string ensemble that played their music impeccably.  Somebody cared about the aesthetics of this church. Yet is wasn’t an atmosphere of artistic snobbery you might have expected by my description.

If you are still wondering “does all this really matter?” Let me give you a few reasons why I think it does:

  • It is an indication of giving our best to the Creator.  By caring about art, about things of beauty, I think we are acknowledging that we are creative beings and affirming that to both to God and to each other.
  • It is obvious that our culture cares about art.  I would argue that we live in an entertainment culture. That doesn’t mean that all art is good art or appropriate for church, but we need to recognize that it is a huge part of the culture we are trying to speak to.
  • By caring about art we are given a voice worthy of paying attention too. We are speaking the language of the culture we are a part of. You may not like the fact that we live in an entertainment culture, but it doesn’t change the fact that it exists. Art is one valuable way we to let our voice be heard.
  • It is Biblical after all. It goes all the way back to the Old Testament, from the building of the tabernacle (Exodus 35 & 36) and the Psalms of David, to the New Testament with the parables of Jesus.

So how can you make your church a welcoming place for the arts?  A big church can hire artists, and many do. But art in the church is not only for the big, the moneyed, or the ultra sophisticated.  Little things can go a long way. Consider the following:

  • Look for ways to include the arts in your worship—not just music, but drama, painting, sculpture, and dance, etc… there are exceptional artists in all these areas and more (probably some hiding in your very pews).
  • Care more about the aesthetics in your place of worship.  From the moment you enter the church, what can you do artistically to draw attention to the things of God? Think paintings, furniture, music etc. (Some churches have turned their foyers into galleries that showcase artists in the church.)
  • Plan social events that create opportunities for artists to be discovered. A talent show at a church retreat might just be the venue to discover talents you never new existed.
  • While we want to encourage art, we also want to encourage quality. Have some sort of screening process in place so that what you create is truly inspiring to those that experience it… (I know that art is in the eye of the beholder… so tread carefully).
  • Don’t do this alone.  Consult with others in your church who are artists or at least good appreciators of art. Use them for everything from the design of the worship service to the design of your print materials; from the table displays in the foyer to the paintings in the bathroom.  An arts committee in your church might be a great investment of time, talent and service.
  • At the risk of sounding self-serving, invite guest artists into your church.  Experiencing art well done inspires art well done!

For some pastors reading this, I can hear you saying, “great—just one more thing for me to do!” I know leading a church is not easy and there is a lot on the proverbial plate.  I don’t think every pastor needs to make this their personal responsibility… but I do think that by delegating  and encouraging those already in the congregation who have an artistic bent, we can do much to enhance our message.  Artists are uniquely gifted to speak to the culture. Artists who are Christians need opportunities to use their God given gifts to the benefit of the Body of Christ and the world.

What ideas can you share for discovering and encouraging the arts in your church?

Does Anyone Care About Art in the Church? — Part One

“Chuck, I’m sorry but I just have no vision for this.”

“No Art,” by June Godwit/Group Scud, New York City

I looked across the table in the coffee shop into the eyes of the church worship leader, trying to understand.  Trying but failing.  He was the worship leader of a good sized church (over 700 people on an average weekend). I had been asked by the senior pastor to assist the church in starting a drama ministry.  The pastor had the vision. I had met with the group interested in doing drama at the church—over 20 adults—a great start! Yet the one person who should have been the champion of the cause, the go-to person for artistic endeavors in this congregation, was telling me he had no vision for it.

And really, that is almost the end of this story… the ministry never really got off the ground. Oh, the team met, developed material specifically targeted to the pastor’s sermon, and the few times they performed it was well received—the pastor and the congregation wanted more.  But the worship leader had no vision for it and pretty much single-handedly killed it.  When a drama was scheduled, he would roll his eyes and complain about the hassle it would be to make room on the platform for the scene to be performed, or the extra chorus that would have to be cut in order to allow for the drama.  Being the gatekeeper of the arts in this church, he was able to foil the attempts to grow the ministry.  Opportunities became less and less frequent.  Performers became, understandably, discouraged when not allowed to perform. The drama ministry died.

And it wasn’t only drama, for a church this size the number of musical artists allowed to share their gifts was extremely limited. Only a hand-picked few were given opportunity to perform and use their gifts in the church.

I wish I could say this was an exception, not the rule, but sadly I have seen this scenario repeated at a number of churches. By and large I fear that most churches are not a very welcoming place for the artists in the congregation. Why is this the case?

In my example above I think it was a combination of ego, insecurity, and control for the worship leader in question—a pitfall for any person who is the single gatekeeper for everything artistic in a church. He knew one area of the arts well—contemporary  Christian music—and anything other than that was outside the box, and possibly considered a threat.

The other side of the coin is the church that really has no one to turn to. Often smaller churches have a perceived void when it comes to things artistic.  They may not have a paid worship leader and are at the mercy of whatever volunteers they can find to lead music during a worship service. A gifted artist may be hiding in the congregation and not willing to be discovered either for fear of being over-used or for not wanting to be associated with what they consider sub-standard performance.

So okay, I have laid out the problem… but some may be saying “why should we care” and “does all this arts stuff really matter”?

You can probably guess some of my response to this… me being an artist after all.  I plan to give a few of my thoughts in Part 2 of this blog… but I would love to hear your response.

Why should we even care about arts in the church?  Is it really that important?

READ PART 2

Drama Ministry is Not Dead

If you have followed this blog you know that I have commented much on the state of the dramatic arts in the church.  Recently I was interviewed by Kim Messer for an article she wrote on this very topic.  Great article and commentary.  Check it out: Drama Ministry is Not Dead

Truth Be Told… from a Guy Who Makes Stuff Up

I am very excited about our newest presentation, Truth Be Told…from a Guy Who Makes Stuff Up. Last Friday was the premier performance followed on Sunday by the first  booking at a local church. The response has been better than even I had hoped for as people are really connecting with these stories. The exciting thing is this is causing them to revisit their own stories. A very good thing indeed!

Here are a few of the comments I have received so far:

It was authentic and such an encouragement to so many who thought they didn’t have a story worth telling. I pray they now have the boldness to share their story with others, pointing the listener(s) to our LORD. Thanks for making me laugh, cry and think!!!”

“I was delighted with your new presentation. As a pastor I look at most things with an eye of how it would work in church. Your authentic and up personal presentation of your own story gives those in the audience a chance to look at their own stories from a new perspective. Congratulations on a job well done.”

“Thanks for a delightful evening! We enjoyed ‘your story.'”

“Thank you for allowing us to hear some of the most intimate events of your life…Your story reminded us that we all have stories to tell and is a great encouragement for us to share the grace and mercy of God with others.”

“This was my favorite piece I’ve seen you do, although I certainly love the way you make Scripture come alive in other works.  But, I liked this most because it was so real.  It was real stories, from real life, showing the wide range of ways we get to trust God. You, in a sense, acted out your stories; you didn’t just stand up there and speak casually to us…telling them with dramatic emphasis and an actor’s skills.”

“So authentic and real….it made me realize I too have a story to tell.”

“Story is a powerful tool for God to use, and He is telling His Story through your story! I was really moved by this presentation.”

“Your piece really touched me. I know others who have dealt with grief or guilt will also be touched.”

“It was great Chuck. I dreamt about your story all night long. So clearly, it had an impact.”

“I LOVED your presentation last night, Chuck! You did a great job not only compiling your story but the way you presented it. I could hear it over and over again… I believe everyone needs to hear your story. And thank you for impressing on all of us that were there that we have a story to tell!”

I am looking forward to sharing this new presentation and would love to bring it to a venue near you. Truth Be Told is perfect for a worship service, dinner/dessert theater, outreach event, or conference. I have also developed a retreat package to make this a great weekend event for a congregation or group who want to become better at telling their own stories! Contact me for more information or to request a booking!

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